LAST YEAR'S MODEL

Ummm…okay…soooooo… (say it out loud as if you were Rosie O’Donnell in “Riding on the Bus with my Sister” and it sounds funny) a bunch of you made it out early for the Cake Shop show last week.  And a few of you even made it early.  And if you were one of those that made it early, you got to see my new favorite band, Swingset Committee.  Not since 003 and I were traveling to Philly to stalk The Model have I been this stoked on a band.  So of course I had to pick up their new ep (okay so it was released back in November, so really its just new to me), “In Transit” and a t-shirt.  FYI my collection of clothing is filled entirely by band t-shirts.  But I digress.

Swingset Committee is:
David Dahlquist – Production/Vocals
Andrew Belinsky – Vocals
Tim Morrison – Drums

Let’s talk about the record first.  Where do I begin?!  This is how synth pop should be.  In Transit is six perfect pop songs in 25 minutes that will leave you wanting more.  The first thing that immediately grabbed me about this ep is their use of out of character (for synth pop) instrumentation.  Album opener Little Life is a song that I was convinced was going to be douchey in that talk about my feelings and we all vomit indie rawk kind of way.  Not the case.  What starts as guitars and strings becomes a straight forward dance pop anthem complete with 4 on the floor kicks and chirping arpeggiated synths.  Swingset Committee doesn’t seem to be afraid to make the most of their equipment; the constant changes in the instrumentation provide the perfect backdrop for singer Andrew Belinsky’s strong vocal performance.

The ep’s six tracks showcase the varying ways in which one can write strong pop songs that makes you dance.  Track two, Singing Along, is on the softer, sugary side (and I see some pics that indicate a video is in the works), which is then followed by Mind Reels, the coldest most robotic effort in the bunch.  Into the Shelter is a softer track made great by an arrangement that builds throughout the song in a way that reminds me of a better track by the Postal Service — constantly holding back and only reaching fever pitch in the final chorus.  Moving towards the end of the ep we come to Easy Way, the most straight forward dance song in the bunch and my personal favorite track.  Smell of Soil closes the record with an epic touch, combining drums that have a sped up march feel with spacey synths that make me think of Plus-Tech Squeeze Box’s (Star) but with less ADD (oh god why does it always come back to weird Japanese pop with me?!?!).

After listening to the record and being thoroughly impressed, I wondered how their live show would stack up.  I was not disappointed.  Despite being a small band and despite much of the instrumentation being tracked, their live energy was more than enough to engage absolutely everyone in the room.  And what a great cover of Psycho Killer.  I am so stoked on this band.  Too bad their next show is the same night as our next show.  Cuz I wanna go.

AAAAAAANyways.  Just listen.  Also you’re welcome.

(this is the edit of Little Life, so you don’t get the awesome “fooled you into thinking we were Coldplay loving jerks” intro but you do get the awesome song)

Also, me and 006 are gonna do remixes for them and then they will do remixes for us and you can all be grateful.